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My Highland Bagpipe is copied from surviving 18th century instruments
- a piob mhor of the 18th-century Gaelic tradition. Whereas a considerable
amount of bagpipe music from this period has survived or is currently
being researched and revived, very little research has been done on the
surviving sets of pipes from this period.
The pipe is based on detailed measurements I have taken from a wonderful
set of drones and a chanter belonging to the Scottish National Museum
and now housed in The Piping Centre, Glasgow. The exact date of the
drones is not known, and though they have been referred to as 'The Waterloo
Drones', they are certainly much older. They bear a striking similarity
to the above well-known drawing in Joseph MacDonald's 'Compleat Theory
of the Scots Highland Bagpipe' (c.1760).
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| They are certainly one of the oldest surviving sets of
drones, and are impressive, as they terminate in very large bell-ends shaped
like wine glasses. They are made of a light-coloured wood - possibly pear
or elder - with bone and horn mounts. At a glance, their shape and turning
style would appear to have more in common with the Galician gaita
than the modern Highland bagpipe.
The chanter is copied from one a similar age which was discovered on
the Island of Mull. The original is damaged and unplayable, but like the
drones shows signs of considerable use. Unlike many old chanters that have
survived it appears never to have been modified. Some of the fingerholes
are undercut, but this could have been done by the maker. I feel its importance
lies in the likelihood that it satisfied generations of pipers, none of
whom heard reason to modify its intonation.
I am now working in conjunction with Barnaby Brown
to explore further these pipes. Barnaby had been researching 17th and 18th
century Scottish piping- particularly the Colin Campbell Canntaireachd
manuscript and was looking for a copy of a period set of pipes. In March
1999 he won first prize playing a set of my pipes in the seventh
annual Piobaireachd competition for the Archie Kenneth Quaich. (22
competitors. Judges Donald MacPherson and Andrew Wright). He played them
as part of the 1999 Edinburgh Festival Pibroch Concert which was recorded
and released by Greentrax Records (CDTRAX 5009).
"At first, this instrument seems shockingly low-pitched in contract
to modern pipes, but I grew accustomed to it quite quickly, and found the
rather mellow sound to be quite complimentary to his tunes." (CD Review
by Michael Rogers, The Voice , Winter 2000)
We are currently working on a chanter based on the Mull chanter, but
modifying its intonation so that its tuning is more acceptable to
modern ears. Last autumn we measured the Black Chanter of Clan Chattan
is great detail and I have already made my first copy of this. We will
also be measuring and copying another 18th century chanter later this year
and our ultimate aim is to be able to offer a small range of copies of
early chanters. Meanwhile Barnaby is working to research and develop suitable
reeds for the chanter and the drones.
I have kept these copies as true to the originals as I possibly can.
I make these pipes in Scottish woods- pear, thorn, almond, yew, plum. The
mounts are in horn. The pipes come reeded up by Barnaby Brown with a spare
set of reeds in a reed case. The pipes are supplied with a quality lined
fibreglass carrying case.
Please contact me if you need further information or visit Barnaby at
pibroch.net. |
| A comparison of the original drones with my copy,
which is in whitethorn wood and horn. (In reality the original is much
lighter than it appears in the photo). |
Barnaby Brown playing a set of these pipes, with
which he won the Archie Kenneth Quaich at the 1999 amateur piobaireachd
competition, Royal Scottish Pipers' Society, Edinburgh. (Judges: Donald
MacPherson & Andrew Wright). |